User Contributed Dictionary
- In a manner intended to ridicule.
Verb form
ridiculing- present participle of ridicule
Extensive Definition
Ridicule is a 1996
French
film set in the 18th century
at the decadent court of Versailles.
Its title refers to one's ability to ridicule others, a useful
talent in a court where the social status of nobles could rise and
fall based on success or humiliation in response to ridicule and
retort. The story critiques the social injustices of late 18th century
France,
showing the corruption of religion and the callousness of the
aristocrats at Versailles who use biting wit and ridicule to
further their own ambitions.
Synopsis
The Marquis Grégoire Ponceludon de Malavoy
(Charles Berling) is a minor aristocrat and engineer living in the
Dombes, a
boggy region north of Lyon. He is one of the
few aristocrats who care about the plight of the peasants.
Horrified by the sickness and death caused by the disease-carrying
mosquitoes that infest the swamps, he draws up plans to drain them;
however, the project is far too costly for him to pay for himself,
so he goes to Versailles
in the hope of obtaining the backing of King Louis
XVI (Urbain Cancelier).
Just before reaching Versailles, Ponceludon is
robbed and beaten. He is found by the Marquis de Bellegarde
(Jean
Rochefort), a minor noble and physician whose wit lacks
timeliness. As Ponceludon recuperates at the marquis' house,
Bellegarde sympathizes with Ponceludon's mission and takes him
under his wing, teaching him about wit (l'esprit), the primary way
to be recognized at Versailles, where the aristocracy have taken to
comparing themselves to Voltaire--all the while missing the point
of their hero's ridicule. At first, Ponceludon's provincial
background exposes him to attacks at parties and gatherings, even
though he proves himself a worthy adversary in verbal
sparring.
At one such party, he catches L'abbé de Vilecourt
(Bernard Giraudeau) cheating at a game of wits, with the help of
his lover, Madame de Blayac (Fanny
Ardant), a beautiful and rich recent widow of the man who was
to have been Poceludon's sponsor at court. Although Madame de
Blayac fears being exposed, Poceludon assures her that such is not
his intention. Blayac repays his generosity by arranging for the
certification of his lineage--thereby allowing his suit to proceed.
Despite his success, Ponceludon begins to see how hollow and rotten
is the tree that is the court at Versailles--a motif that runs
throughout the film (his barren swamp-infested land; the dark roads
that lead to court; the moral corruption of Versaille, etc.)
The only exception is Mademoiselle Mathilde
Bellegarde ("beautiful guard, or beautiful to keep") (Judith
Godrèche), the doctor's daughter. She initially agrees to marry
Monsieur de Montaliéri, a rich, old aristocrat whose wife is dying.
Her motivation is twofold: to support her science experiments and
to help pay off her father's debts. She is, as her father
inaccurately describes her, a child of Rousseau and his
book Emile:
Or, On Education, which emphasized a boy's free choice in his
interests and the submission of women to their husbands, which
Sophie is in direct opposition to. Ponceludon and Mathilde quickly
fall in love. As a result, she begins to dread her upcoming
marriage.
Sensing the threat to her protegé from this
unexpected quarter, Madame de Blayac traps Ponceludon during a
dinner party (her accomplice is Motaliéri) where one too many guest
has been invited. A contest of wit is used to settle who must make
a humiliating departure. Sexually distracted by Blayac, Ponceludon
is the loser and is convinced that his disgrace will force him to
leave the court. However, he is reminded of why he set out in the
first place when a village child dies from drinking contaminated
water. During this time, Mathilde appears at court, breaking the
terms of her engagement contract.
Freed from the threat of his rival, Vilecourt
finally has his moment in the sun: an audience before the king. The
abbé is an enthusiastic showman who initially impresses the king
with his presentation of proof that God is the prime mover.
The abbé, however, falls from grace, and Blayac turns her attention
to Ponceludon--convincing him to return to Versailles. He sleeps
with her in exchange for her assistance at court; in the end, she
arranges a meeting with the king. She maliciously has Mathilde's
father attend her in his capacity as a doctor while Ponceludon is
still in her bedroom, ensuring that Mathilde learns of their
relationship.
There is a presentation at court of
Charles-Michel de l'Épée's work with deaf people and
development of sign
language. The nobles ridicule the deaf mercilessly. In
response, de Bellegarde stands and asks how to sign "bravo,"
leading Ponceludon to rise and clap to show his support. This act
of kindness touches Mathilde and they soon make up.
Ponceludon joins the king's entourage and, after
showing off his engineering prowess by proposing an improvement to
a cannon, secures a private meeting with the king to discuss his
project. The embarrassed cannoneer then insults Ponceludon, forcing
him into demanding a duel. Madame de Blayac almost persuades him to
avoid the duel, but he eventually decides to proceed, under the
supervision of de Bellegarde. He kills the cannoneer, but is later
informed that Louis XVI cannot meet with someone who has killed one
of his officers right after his death, although he is assured that
it was right to uphold his honor.
Madame de Blayac is furious when she learns that
Ponceludon has left her for Mathilde and plots her revenge.
Ponceludon is invited to a costume ball "only for wits". Upon
arriving at the ball with Mathilde, he is maneuvered into dancing
with Madame de Blayac and is tripped. His spectacular fall earns
him the derisive nickname the "Marquis des Antipodes".
Ponceludon renounces the decadent court life and leaves with
Mathilde.
The movie closes in Dover, England, in 1794,
after the French
Revolution. Bellegarde has fled there for his safety. Text
appears on screen informing the viewer that Citizens Grégoire and
Mathilde Ponceludon successfully drained the Dombes and live well
in revolutionary France.
Cast
- Charles Berling - Le Marquis Grégoire Ponceludon de Malavoy
- Jean Rochefort - Le Marquis de Bellegarde
- Fanny Ardant - Madame de Blayac
- Judith Godrèche - Mathilde de Bellegarde
- Bernard Giraudeau - L'abbé de Vilecourt
- Bernard Dhéran - Monsieur de Montaliéri
Awards
Won
Nominations
- César Award for Best Actor - Charles Berling
- César Award for Best Actor in a Supporting Role - Bernard Giraudeau, Jean Rochefort
- César Award for Best Original Screenplay - Remi Waterhouse
- César Award for Best Music - Antoine Duhamel
- César Award for Cinematography - Thierry Arbogast
- César Award for Best Sound - Dominique Hennequin, Jean Goudier
- Academy Award for Best Foreign Language Film
External links
ridiculing in Italian: Ridicule
ridiculing in French: Ridicule
ridiculing in Ido: Ridinda
Synonyms, Antonyms and Related Words
abusive, aweless, back-biting, bantering, belittling, bitchy, blackening, blameful, booing, calumniatory, calumnious, catcalling, catty, censorious, chaffing, condemnatory, contemptuous, contumelious, damnatory, defamatory, denunciatory, deprecative, deprecatory, depreciative, depreciatory, derisive, derisory, derogative, derogatory, detractory, discourteous, disparaging, disrespectful, execrating, execrative, execratory, fleering, flippant, fooling, grinning, hissing, hooting, impudent, insolent, invective, inveighing, irreverent, jeering, joshing, judgmental, kidding, leering, libelous, minimizing, mocking, objurgatory, panning, pejorative, priggish, quizzical, ragging, railing, rallying, razzing, reproachful, reprobative, reviling, roasting, scandalous, scoffing, scurrile, scurrilous, slanderous, slighting, smart, smart-alecky, smart-ass,
smirking, sneering, snickering, sniggering, snorting, taunting, teasing, twitting, vilifying, vituperative