journalism

1 newspapers and magazines collectively [syn: news media, fourth estate]

2 the profession of reporting or photographing or editing news stories for one of the media

English

Pronunciation

• IPA:/dʒɜnɛlɪzm/

Etymology

From journalisme (beginning of 19th century).

Noun

1. The activity or profession of being a journalist.
2. The aggregating, writing, editing, and presenting of news or news articles for widespread distribution, typically in periodical print publications and broadcast news media, for the purpose of informing the audience.
3. The style of writing characteristic of material in periodical print publications and broadcast news media, consisting of direct presentation of facts or events with an attempt to minimize analysis or interpretation.

Translations

• Arabic: صحافة
• Bosnian: novinarstvo
• Catalan: periodisme
• Croatian: novinarstvo
• Czech: novinářství
• Dutch: journalistiek
• Esperanto: Ĵurnalismo
• Estonian: ajakirjandus
• Finnish: journalismi
• French: journalisme
• German: Journalismus
• Hebrew: עיתונאות
• Indonesian: Jurnalisme
• Italian: giornalismo
• Macedonian: новинарство
• Norwegian: journalistikk
• Persian: ژورنالیسم
• Polish: dziennikarstwo
• Portuguese: jornalismo
• Romanian: jurnalism
• Russian: Журналистика (zhurnalistika)
• Serbian:
• * Latin: novinarstvo
• * Cyrillic: новинарство
• Sicilian: jurnalismu
• Slovak: Žurnalistika
• Spanish: periodismo
• Swedish: journalistik
• Ukranian: Журналістика (zhurnalîstika)
• Vorõ: aokirändüs

Definition of Journalism

A style of writing for presenting bare facts to describe news events. Journalists also known as News analysts, reporters, and correspondents gather information, prepare stories, and make broadcasts that inform us about local, State, national, and international events; present points of view on current issues; and report on the actions of public officials, corporate executives, interest groups, and others who exercise power.

News analysts—also called newscasters or news anchors—examine, interpret, and broadcast news received from various sources. News anchors present news stories and introduce videotaped news or live transmissions from on-the-scene reporters. News correspondents report on news occurring in the main, from their own country, and from foreign cities where they are stationed.

In covering a story, reporters investigate leads and news tips, look at documents, observe events at the scene, and interview people. Reporters take notes and also may take photographs or shoot videos. At their office, they organize the material, determine the focus or emphasis, write their stories, and edit accompanying video material. Many reporters enter information or write stories using laptop computers and electronically submit the material to their offices from remote locations. In some cases, newswriters write a story from information collected and submitted by reporters. Radio and television reporters often compose stories and report “live” from the scene. At times, they later tape an introduction to or commentary on their story in the studio. Some journalists also interpret the news or offer opinions to readers, viewers, or listeners. In this role, they are called commentators or columnists.

Newscasters at large stations and networks usually specialize in a particular type of news, such as sports or weather. Weathercasters, also called weather reporters, report current and forecasted weather conditions. They gather information from national satellite weather services, wire services, and local and regional weather bureaus. Some weathercasters are trained meteorologists and can develop their own weather forecasts. (See the statement on atmospheric scientists elsewhere in the Handbook.) Sportscasters select, write, and deliver sports news. This may include interviews with sports personalities and coverage of games and other sporting events.

General-assignment reporters write about newsworthy occurrences—such as accidents, political rallies, visits of celebrities, or business closings—as assigned. Large newspapers and radio and television stations assign reporters to gather news about specific topics, such as crime or education. Some reporters specialize in fields such as health, politics, foreign affairs, sports, theater, consumer affairs, social events, science, business, or religion. Investigative reporters cover stories that may take many days or weeks of information gathering.

Some publications use teams of reporters instead of assigning each reporter one specific topic, allowing reporters to cover a greater variety of stories. News teams may include reporters, editors, graphic artists, and photographers working together to complete a story.

Reporters on small publications cover all aspects of the news. They take photographs, write headlines, lay out pages, edit wire-service stories, and write editorials. Some also solicit advertisements, sell subscriptions, and perform general office work.

Work environment. The work of news analysts, reporters, and correspondents is usually hectic. They are under great pressure to meet deadlines. Broadcasts sometimes are aired with little or no time for preparation. Some news analysts, reporters, and correspondents work in comfortable, private offices; others work in large rooms filled with the sound of keyboards and computer printers, as well as the voices of other reporters. Curious onlookers, police, or other emergency workers can distract those reporting from the scene for radio and television. Covering wars, political uprisings, fires, floods, and similar events is often dangerous.

Working hours vary. Reporters on morning papers often work from late afternoon until midnight. Radio and television reporters usually are assigned to a day or evening shift. Magazine reporters usually work during the day.

Reporters sometimes have to change their work hours to meet a deadline or to follow late-breaking developments. Their work demands long hours, irregular schedules, and some travel. Because many stations and networks are on the air 24 hours a day, newscasters can expect to work unusual hours.

Variations of journalism

Newspapers and periodicals often contain features (see under heading feature style at article news style) written by journalists, many of whom specialize in this form of in-depth journalism.

Feature articles usually are longer than straight news articles, and are combined with photographs, drawings or other "art." They may also be highlighted by typographic effects or colors.

Writing features can be more demanding than writing straight news stories, because while a journalist must apply the same amount of effort to accurately gather and report the facts of the story, the reporter must also find a creative and interesting way to write the article, especially the lead, or the first one or two paragraphs of the story (see Nut graf). The lead must grab the reader's attention yet accurately embody the ideas of the article. Often the lead of a feature article is dictated by its subject matter.

In the last half of the 20th Century the line between straight news reporting and feature writing blurred as more journalists and publications experimented with different approaches to writing an article. Tom Wolfe, Gay Talese, Hunter S. Thompson and other journalists used many different approaches to writing news articles. Urban and alternative weekly newspapers went even further in blurring the distinction, and many magazines include more features than straight news.

Some television news shows experimented with alternative formats, and many TV shows that claimed to be news shows were not considered as such by many critics, because their content and methods did not adhere to accepted journalistic standards. National Public Radio, on the other hand, is considered a good example of a good mixture of straight news reporting, features, and combinations of the two, usually meeting standards of high quality. Other U.S. public radio news organizations have achieved similar results. A majority of newspapers still maintain a clear distinction between news and features, as do most television and radio news organizations.

Sports journalism

• For more information, see Sports journalism.

Sports journalism covers many aspects of human athletic competition, and is an integral part of most journalism products, including newspapers, magazines, and radio and television news broadcasts. While some critics don't consider sports journalism to be true journalism, the prominence of sports in Western culture has justified the attention of journalists to not just the competitive events in sports, but also to athletes and the business of sports.

Sports journalism in the United States has traditionally been written in a looser, more creative and more opinionated tone than traditional journalistic writing; the emphasis on accuracy and underlying fairness is still a part of sports journalism. An emphasis on the accurate description of the statistical performances of athletes is also an important part of sports journalism.

Science journalism

* For more information, see Science journalism.

Science journalism is a relatively new branch of journalism, in which journalists' reporting conveys information on science topics to the public. Science journalists must understand and interpret very detailed, technical and sometimes jargon-laden information and render it into interesting reports that are comprehensible to consumers of news media.

Scientific journalists also must choose which developments in science merit news coverage, as well as cover disputes within the scientific community with a balance of fairness to both sides but also with a devotion to the facts.

Many, but not all, journalists covering science have training in the sciences they cover, including several medical journalists who cover medicine.

Investigative journalism

* For more information, see Investigative reporting.

Investigative journalism, in which journalists investigate and expose unethical immoral and illegal behavior by individuals, businesses and government agencies, can be complicated, time-consuming and expensive — requiring teams of journalists, months of research, interviews (sometimes repeated interviews) with numerous people, long-distance travel, computers to analyze public-record databases, or use of the company's legal staff to secure documents under freedom of information laws.

Because of its inherently confrontational nature, this kind of reporting is often the first to suffer from budget cutbacks or interference from outside the news department. Investigative reporting done poorly can also expose journalists and media organizations to negative reaction from the subjects of investigations and the public, and accusations of gotcha journalism. When conducted correctly it can bring the attention of the public and government to problems and conditions that the public deem need to be addressed, and can win awards and recognition to the journalists involved and the media outlet that did the reporting.

New journalism

• For more information, see New Journalism.

New Journalism was the name given to a style of 1960s and 1970s news writing and journalism which used literary techniques deemed unconventional at the time. The term was codified with its current meaning by Tom Wolfe in a 1973 collection of journalism articles.

It is typified by using certain devices of literary fiction, such as conversational speech, first-person point of view, recording everyday details and telling the story using scenes. Though it seems undisciplined at first, new journalism maintains elements of reporting including strict adherence to factual accuracy and the writer being the primary source. To get "inside the head" of a character, the journalist asks the subject what they were thinking or how they felt.

Because of its unorthodox style, new journalism is typically employed in feature writing or book-length reporting projects.

Many new journalists are also writers of fiction and prose. In addition to Wolfe, writers whose work has fallen under the title "new journalism" include Norman Mailer, Hunter S. Thompson, Joan Didion, Truman Capote, George Plimpton and Gay Talese.

Gonzo journalism

• For more information, see Gonzo Journalism.

Gonzo journalism is a type of journalism popularized by the American writer Hunter S. Thompson, author of Fear and Loathing in Las Vegas, Fear and Loathing on the Campaign Trail '72 and The Kentucky Derby is Decadent and Depraved, among other stories and books. Gonzo journalism is characterized by its punchy style, rough language, and ostensible disregard for conventional journalistic writing forms and customs. More importantly, the traditional objectivity of the journalist is given up through immersion into the story itself, as in New Journalism, and the reportage is taken from a first-hand, participatory perspective, sometimes using an author surrogate such as Thompson's Raoul Duke. Gonzo journalism attempts to present a multi-disciplinary perspective on a particular story, drawing from popular culture, sports, political, philosophical and literary sources. Gonzo journalism has been styled eclectic or untraditional. It remains a feature of popular magazines such as Rolling Stone magazine. It has a good deal in common with new journalism and on-line journalism (see above).

'Celebrity' or 'people' journalism

Another area of journalism that grew in stature in the 20th Century is 'celebrity' or 'people' journalism, which focuses on the personal lives of people, primarily celebrities, including movie and stage actors, musical artists, models and photographers, other notable people in the entertainment industry, as well as people who seek attention, such as politicians, and people thrust into the attention of the public, such as people who do something newsworthy.

Once the province of newspaper gossip columnists and gossip magazines, celebrity journalism has become the focus of national tabloid newspapers like the National Enquirer, magazines like People and Us Weekly, syndicated television shows like Entertainment Tonight, Inside Edition, The Insider, Access Hollywood, and Extra, cable networks like E!, A&E Network and The Biography Channel, and numerous other television productions and thousands of websites. Most other news media provide some coverage of celebrities and people.

Celebrity journalism differs from feature writing in that it focuses on people who are either already famous or are especially attractive, and in that it often covers celebrities obsessively, to the point of these journalists behaving unethically in order to provide coverage. Paparazzi, photographers who would follow celebrities incessantly to obtain potentially embarrassing photographs, have come to characterize celebrity journalism.

'Convergence journalism'

An emerging form of journalism, which combines different forms of journalism, such as print, photographic and video, into one piece or group of pieces. Convergence journalism can be found in the likes of CNN and many other news sites. The Washington Post has a notable amount of this.

Ambush journalism

Ambush journalism refers to aggressive tactics practiced by journalists to suddenly confront with questions people who otherwise do not wish to speak to a journalist. The practice has particularly been applied by television journalists, such as those on the CBS-TV news show 60 Minutes and by Geraldo Rivera, currently on the Fox News cable channel, and by hundreds of American local television reporters conducting investigations.

The practice has been sharply criticized by journalists and others as being highly unethical and sensational, while others defend it as the only way to attempt to provide those subject to it an opportunity to comment for a report. Ambush journalism has not been ruled illegal in the United States, although doing it on private property could open a journalist to being charged with trespassing.

Role of journalism in a democracy

In the 1920s, as modern journalism was just taking form, writer Walter Lippmann and American philosopher John Dewey debated over the role of journalism in a democracy. Their differing philosophies still characterize a debate about the role of journalism in society and the nation-state.

Lippmann understood that journalism's role at the time was to act as a mediator or translator between the public and policymaking elites. The journalist became the middleman. When elites spoke, journalists listened and recorded the information, distilled it, and passed it on to the public for their consumption. His reasoning behind this was that the public was not in a position to deconstruct the growing and complex flurry of information present in modern society, and so an intermediary was needed to filter news for the masses. Lippman put it this way: The public is not smart enough to understand complicated, political issues. Furthermore, the public was too consumed with their daily lives to care about complex public policy. Therefore the public needed someone to interpret the decisions or concerns of the elite to make the information plain and simple. That was the role of journalists. Lippmann believed that the public would affect the decision-making of the elite with their vote. In the meantime, the elite (i.e. politicians, policy makers, bureaucrats, scientists, etc.) would keep the business of power running. In Lippman's world, the journalist's role was to inform the public of what the elites were doing. It was also to act as a watchdog over the elites, as the public had the final say with their votes. Effectively that kept the public at the bottom of the power chain, catching the flow of information that is handed down from experts/elites.

Dewey, on the other hand, believed the public was not only capable of understanding the issues created or responded to by the elite, it was in the public forum that decisions should be made after discussion and debate. When issues were thoroughly vetted, then the best ideas would bubble to the surface. Dewey believed journalists not only had to inform the public, but should report on issues differently than simply passing on information. In Dewey's world, a journalist's role changed. Dewey believed that journalists should take in the information, then weigh the consequences of the policies being enacted by the elites on the public. Over time, his idea has been implemented in various degrees, and is more commonly known as "community journalism."

This concept of community journalism is at the centre of new developments in journalism. In this new paradigm, journalists are able to engage citizens and the experts/elites in the proposition and generation of content. It's important to note that while there is an assumption of equality, Dewey still celebrates expertise. Dewey believes the shared knowledge of many is far superior to a single individual's knowledge. Experts and scholars are welcome in Dewey's framework, but there is not the hierarchical structure present in Lippman's understanding of journalism and society. According to Dewey, conversation, debate, and dialogue lie at the heart of a democracy.

While Lippman's journalistic philosophy might be more acceptable to government leaders, Dewey's approach is a better description of how many journalists see their role in society, and, in turn, how much of society expects journalists to function. Americans, for example, may criticize some of the excesses committed by journalists, but they tend to expect journalists to serve as watchdogs on government, businesses and other actors, enabling people to make informed decisions on the issues of the time.

The elements of journalism

According to The Elements of Journalism, a book by Bill Kovach and Tom Rosensteil, there are nine elements of journalism http://journalism.org/node/72. In order for a journalist to fulfill their duty of providing the people with the information they need to be free and self-governing. They must follow these guidelines:

1. Journalism's first obligation is to the truth.
2. Its first loyalty is to the citizens.
3. Its essence is discipline of verification.
4. Its practitioners must maintain an independence from those they cover.
5. It must serve as an independent monitor of power.
6. It must provide a forum for public criticism and compromise.
7. It must strive to make the significant interesting, and relevant.
8. It must keep the news comprehensive and proportional.
9. Its practitioners must be allowed to exercise their personal conscience.

On the April 2007 edition of the book http://journalism.org/node/71, they have added one additional element, the rights and responsibilities of citizens to make it a total of ten elements of journalism.

Professional and ethical standards

Since the development of professional journalism at the beginning of the 20th Century, journalists have been expected to follow a stringent code of journalistic conduct that requires them to, among other things:

• Use original sources of information, including interviews with people directly involved in a story, original documents and other direct sources of information, whenever possible, and cite the sources of this information in reports;
  • For more information on using sources, see journalism sourcing.
• Fully attribute information gathered from other published sources, should original sources not be available (not to do so is considered plagiarism; some newspapers also note when an article uses information from previous reports);
• Use multiple original sources of information, especially if the subject of the report is controversial;
• Check every fact reported;
• Find and report every side of a story possible;
• Report without bias, illustrating many aspects of a conflict rather than siding with one;
• Approach researching and reporting a story with a balance between objectivity and skepticism.
• Use careful judgment when organizing and reporting information.
• Be careful about granting confidentiality to sources (news organizations usually have specific rules that journalists must follow concerning grants of confidentiality);
• Decline gifts or favors from any subject of a report, to avoid the appearance of being influenced;
• Abstain from reporting or otherwise participating in the research and writing about a subject in which the journalist has a personal stake or bias that cannot be set aside.

This was in stark contrast to the media climate prior to the 20th Century, where the media market was dominated by smaller newspapers and pamphleteers who usually had an overt and often radical agenda, with no presumption of balance or objectivity. E.g., see (1).

Recognition of excellence in journalism

There are several professional organizations, universities and foundations that recognize excellence in journalism in the USA. The Pulitzer Prize, administered by Columbia University in New York City, is awarded to newspapers, magazines and broadcast media for excellence in various kinds of journalism. The Columbia University Graduate School of Journalism gives the Alfred I. duPont-Columbia University Awards for excellence in radio and television journalism, and the Scripps Howard Foundation gives the National Journalism Awards in 17 categories. The Society of Professional Journalists gives the Sigma Delta Chi Award for journalism excellence. In the television industry, the National Academy of Television Arts & Sciences gives awards for excellence in television journalism.

Failing to uphold standards

Such a code of conduct can, in the real world, be difficult to uphold consistently. Journalists who believe they are being fair or objective may give biased accounts -- by reporting selectively, trusting too much to anecdote, or giving a partial explanation of actions. (See Media bias.) Even in routine reporting, bias can creep into a story through a reporter's choice of facts to summarize, or through failure to check enough sources, hear and report dissenting voices, or seek fresh perspectives.

As much as reporters try to set aside their prejudices, they may simply be unaware of them. Young reporters may be blind to issues affecting the elderly. A 20-year veteran of the "police beat" may be deaf to rumours of departmental corruption. Publications marketed to affluent suburbanites may ignore urban problems. And, of course, naive or unwary reporters and editors alike may fall prey to public relations, propaganda or disinformation.

News organizations provide editors, producers or news directors whose job is to check reporters' work at various stages. But editors can get tired, lazy, complacent or biased. An editor may be blind to a favorite reporter's omissions, prejudices or fabrications. (See Jayson Blair.) Provincial editors also may be ill-equipped to weigh the perspective (or check the facts of) a correspondent reporting from a distant city or foreign country. (See News management.)

A news organization's budget inevitably reflects decision-making about what news to cover, for what audience, and in what depth. Those decisions may reflect conscious or unconscious bias. When budgets are cut, editors may sacrifice reporters in distant news bureaus, reduce the number of staff assigned to low-income areas, or wipe entire communities from the publication's zone of interest.

Publishers, owners and other corporate executives, especially advertising sales executives, can try to use their powers over journalists to influence how news is reported and published. Journalists usually rely on top management to create and maintain a "firewall" between the news and other departments in a news organization to prevent undue influence on the news department. One journalism magazine, Columbia Journalism Review, has made it a practice to reveal examples of executives who try to influence news coverage, of executives who do not abuse their powers over journalists, and of journalists who resist such pressures.

Self-censorship is a growing problem in journalism, particularly in covering countries that sharply restrict press freedom. As commercial pressure in the media marketplace grows, media organizations are loath to lose access to high-profile countries by producing unflattering stories. For example, CNN admitted that it had practiced self-censorship in covering the Saddam Hussein regime in Iraq in order to ensure continued access after the regime had thrown out other media. CNN correspondent Christiane Amanpour also complained of self-censorship during the invasion of Iraq due to the fear of alienating key audiences in the US. There are claims that the media are also avoiding covering stories about repression and human rights violations by the Iranian regime in order to maintain a presence in the country.

Reporting versus editorializing

Generally, publishers and consumers of journalism draw a distinction between reporting — "just the facts" — and opinion writing, often by restricting opinion columns to the editorial page and its facing or "op-ed" (opposite the editorials) page. Unsigned editorials are traditionally the official opinions of the paper's editorial board, while op-ed pages may be a mixture of syndicated columns and other contributions, frequently with some attempt to balance the voices across some political or social spectrum.

The distinction between reporting and opinion can break down. Complex stories often require summarizing and interpretation of facts, especially if there is limited time or space for a story. Stories involving great amounts of interpretation are often labelled "news analysis," but still run in a paper's news columns. The limited time for each story in a broadcast report rarely allows for such distinctions.

Legal status

For more information, see Freedom of the press

Journalists around the world often write about the governments in their nations, and those governments have widely varying policies and practices towards journalists, which control what they can research and write, and what press organizations can publish. Many Western governments guarantee the freedom of the press, and do relatively little to restrict press rights and freedoms, while other nations severely restrict what journalists can research and/or publish.

Journalists in many nations have enjoyed some privileges not enjoyed by members of the general public, including better access to public events, crime scenes and press conferences, and to extended interviews with public officials, celebrities and others in the public eye. These privileges are available because of the perceived power of the press to turn public opinion for or against governments, their officials and policies, as well as the perception that the press often represents their consumers. These privileges extend from the legal rights of journalists but are not guaranteed by those rights. Sometimes government officials may attempt to punish individual journalists who irk them by denying them some of these privileges extended to other journalists.

Nations or jurisdictions that formally license journalists may confer special privileges and responsibilities along with those licenses, but in the United States the tradition of an independent press has avoided any imposition of government-controlled examinations or licensing. Some of the states have explicit shield laws that protect journalists from some forms of government inquiry, but those statutes' definitions of "journalist" were often based on access to printing presses and broadcast towers. A national shield law has been proposed.

In some nations, journalists are directly employed, controlled or censored by their governments. In other nations, governments who may claim to guarantee press rights actually intimidate journalists with threats of arrest, destruction or seizure of property (especially the means of production and dissemination of news content), torture or murder.

Journalists who elect to cover conflicts, whether wars between nations or insurgencies within nations, often give up any expectation of protection by government, if not giving up their rights to protection by government. Journalists who are captured or detained during a conflict are expected to be treated as civilians and to be released to their national government.

Right to protect confidentiality of sources

For more information, see Protection of sources

Journalists' interaction with sources sometimes involves confidentiality, an extension of freedom of the press giving journalists a legal protection to keep the identity of a source private even when demanded by police or prosecutors; withholding sources can land journalists in contempt of court, or in jail.

The scope of rights granted to journalists varies from nation to nation; in the United Kingdom, for example, the government has had more legal rights to protect what it considers sensitive information, and to force journalists to reveal the sources of leaked information, than the United States. Other nations, particularly Zimbabwe and the People's Republic of China, have a reputation of persecuting journalists, both domestic and foreign.

In the United States, there has never been a right to protect sources in a federal court. Some states provide varying degrees of such protection. However, federal courts will refuse to force journalists to reveal sources, unless the information the court seeks is highly relevant to the case, and there's no other way to get it. Journalists, like all citizens, who refuse to testify even when ordered to can be found in contempt of court and fined or jailed.

Right of access to government information (United States of America)

Like sources, journalists depend on the rights granted by government to the public and, by extension, to the press, for access to information held by the government. These rights also vary from nation to nation (see Freedom of information legislation) and, in the United States, from state to state. Some states have more open policies for making information available, and some states have acted in the last decade to broaden those rights. New Jersey, for example, has updated and broadened its Sunshine Law to better define what kinds of government documents can be withheld from public inquiry.

In the United States, the Freedom of Information Act (FOIA) guarantees journalists the right to obtain copies of government documents, although the government has the right to redact, or black out, information from documents in those copies that FOIA allows them to withhold. Other federal legislation also controls access to information (see Freedom of information in the United States).

See also

• Advocacy journalism
• Citizen journalism
• Community journalism
• Environmental journalism
• Fashion journalism
• Freedom of the press
• History of Journalism
• History of American Newspapers
• Jazz journalism
• Journalism ethics and standards
• Journalism in Australia
• Journalism education
• Journalism school
• Mass media
• Objectivity (journalism)
• Objectivity (philosophy) main article discussing the concept of objectivity in various fields (history, science, journalism, philosophy, etc.)
• Online Journalism
• Parachute journalism
• Pen & Pencil Club
• Reporters without borders
• Science journalism
• Service journalism
• Sports journalism
• Video journalism
• Yellow journalism

References

External links

• wikia journalism
• European Journalism Observatory
• Society of Professional Journalists
• Journalism.org: Research, Resources and Ideas to Improve Journalism
• U of Iowa: Journalism and Mass Communication Resources
• American Journalism Review magazine
• International Journalism Festival

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