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Noun
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Extensive Definition
Dogberry is a self-satisfied night constable in
Shakespeare's
Much
Ado about Nothing.
In the play, Dogberry is the chief of the
citizen-police in Messina. As is
usual in Shakespearean comedy, and Renaissance comedy
generally, he is a figure of comic incompetence. The humor of
Dogberry's character is his frequent use of malapropism, a technique
Shakespeare would use again in Measure
for Measure's Elbow. In both plays, Shakespeare appears to be
poking mild fun at the amateur police forces of his day, in which
respectable citizens spent a fixed number of nights per year
fulfilling an obligation to protect the public peace, a job for
which they were, by and large, unqualified.
Dogberry and his crew, however, are also given a
thematic function, for it is they who (accidentally) uncover the
plot of Don John and begin the process of restoration that leads to
the play's happy conclusion. In that sense, Dogberry's comic
ineptitude is made to serve the sense of a providential force
overseeing the fortunate restoral of social and emotional
order.
When describing a criminal's offense, Dogberry
likes to say it in many different ways as a numbered list out of
order. When insulted or derided, he is very malicious about making
sure it gets recorded by the Sexton,
and when he is called an "ass" after the
Sexton leaves, he is so proud of his new title that he becomes
extremely boastful, to comic effect.
He was played by Michael
Keaton in the
1993 film adaptation, and has also been played on television by
Michael
Elphick and Frank
Finlay. In Terry Hands'
1982 production for the Royal
Shakespeare Company, Christopher
Benjamin alternated in the role with Terry Woods.